Monday, November 7, 2011

Insights about one of our artists, Sandra Hill

Edge & Depth by Sandra Hill 
"Four years ago I fell in love again and rediscovered the joy of art. I have been a happy camper ever since. With this rebirth, I got brave enough to enter juried shows and was pleasantly surprised when I started receiving awards for my art. From realistic to totally abstract, I seek to stretch perceptions of our world." Ms. Hill is receiving increased recognition for her work through awards and commissions. Her work is widely displayed and exhibited in southwest Ohio and the Washington, DC area.

She studied art at the Chicago Art Institute and with many nationally known artists. Sandra enjoys sharing her enthusiasm and knowledge through teaching painting and has taught children, adults and handicapped students. She also had a cable television show in the DC area.

The piece titled “Edge and Depth” is currently on exhibit at the 2011 Central Virginia Watercolor Guild juried show in Charlottesville, Virginia.

Desert Glow by Sandra Hill



“Desert Glow” is one of Sandy's favorite collages. It is currently on exhibit at the Arlington Artists Gallery.




Nova Bursting by Sandra Hill






                           “Nova Bursting” is another work also on view at the AA Gallery.



Monday, October 24, 2011

Insights about one of our artists, Sandi Parker



Windmill Ruins In Provence by Sandi Parker

Arlington, Virginia artist Sandi Parker paints in oil, with a specialty in Provence and Tuscan landscapes, seascapes, and youth sports paintings. Parker has been painting since 2003, when she began studying with local artist and teacher Jane McElvaney Coonce.


View From the Dune by Sandi Parker

Her vivid paintings of Provence quite often feature lavender fields as subject matter.“I am especially drawn to the purples of lavender fields and the reds of poppy fields in France,” Parker says.“I also love painting sunflowers in Tuscan paintings. I like to think these paintings transport viewers to beautiful and vibrant settings.” A longtime beach lover, Parker also paints tranquil seascapes. “In these works I attempt to create a soothing mood through the use of pastel colors,” she says.




Ready To Score by Sandi Parker
After observing her children and their friends participating in high school sports, Parker became inspired to paint images of various high school sports. She recently mounted a solo show entitled “INmotion: Celebrating Arlington High School Athletics,” a collection of 20 paintings featuring student athletes from Arlington’s Yorktown and Washington-Lee High Schools. “Teenagers spend so much time with their technologies – the phones, laptops and tvs – that it is inspirational to see them off the couch and on the fields. I wanted to capture the joy they derive from seeing what their bodies ‘in motion’ can do,” Parker says of the paintings. The show has appeared at 5 venues in Arlington, and Parker was thrilled to have the show featured twice in the Arlington Sun Gazette articles. Writer Dave Faccinoli wrote of the show, “Good-quality sports art, like the kind Parker has produced, is not seen very often.”

Sandi Parker's Website:   http://www.sandiparker.com/


Friday, October 14, 2011

Insights from one of our artists, Wen LePore

Pete's Tree by Wen LePore


I have been interested in art since I was a kid. I grew up in an artistic family - my Dad was a musician and my mom an actress. I wanted to be a painter, but my mom thought training was too expensive for our family. She also told me "artists are not as respected as they should be." I became a math teacher according to her guidance, but my dream to be a painter never left my mind.



                Running by Wen LePore



I decided to use art to introduce myself in America since I know it is not easy to communicate with people of different cultural backgrounds. My dad told me art affects people across countries as we listened to world famous classical music. I think it is much easier to use visual art to express my thinking and creativity than using my poor English. My first painting was completed in February, 2006. Now I am pretty sure my mom was wrong, and I am so happy I have been painting seriously since September, 2008. In 2010 I became a member of Arlington Artists Alliance, and I have grown a lot as an artist with our members’ help. It has been a very good beginning of my life in United States.




Flying by Wen LePore






I have to say that I am a 100% American-trained painter, and my style should be a brand new word I call “ACE”. It describes the influences of Abstract, Cubism, and Expressionism present in my work.

Wen LePore






Monday, October 3, 2011

'Fall for Art' Reception

A big thank you to everyone who came out to the gallery for our 'Fall for Art' reception this past Saturday October 1st. It was a great turnout. We had a steady flow of patrons, and by the end of the reception 11 paintings were sold! This is only the opening reception; the work will be hanging for the remainder of October, and we look forward to more sales as we draw closer to the holidays. Thanks again if you stopped by, and if you haven't had a chance to take a look, please do--the gallery is open Monday-Saturday, 11am-7pm.

Here are a few photos from the Saturday reception, thanks to photographer Bonnie Freeman:

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And Duc Nguyen, the gallery owner, also took some photos which you can see on the Arlington Arts Gallery Facebook page here: http://www.facebook.com/media/set/?set=a.288663337812173.79482.178506398827868&type=1

Wednesday, September 28, 2011

Insights from one of our artists, George Bowles

Pewter Pitcher, Knife, and Bread by George Bowles

George Bowles studied painting and drawing at the Bougie Studio in Minneapolis from 1996 to 2000. He has exhibited in several galleries. Two of his portraits and one of his still life have been finalists in The Artist's Magazine annual Art Competitions, from a competitive field of 11,000 to 13,000. Another still life made him the magazine's Artist of the Month (April - May, 2005). On the strength of yet another still life, he was a winner in the "Over Sixty" national competition sponsored by The Artist's Magazine. He won first place in the Potomac River Regional Art Show three consecutive years (2009-2011), as well as the People's Choice award in 2009.

"Cryptos I" by Linda Maldonado

Cryptos I by Linda Maldonado

"Cryptos I”, a vivid painting on canvas by Linda Maldonado, is representative of Linda's experimental work with acrylics and collage. Layers of colors applied to a textured surface build to a rich and exciting finished effect. Elements of the painting are alternately revealed and veiled, creating a sense of mystery and intrigue. Like many of Linda's recent works, “Cryptos I” presents an abstract image based on imagination, intuition, and endless possibilities.

Saturday, September 24, 2011

Insights from one of our artists, Russ McIntosh

Angelic Composition by Russ McIntosh

vertigoBlue by Russ McIntosh

Have you ever stared at a cloud and saw shapes and images in them? The essence of my art is for the viewer to look deep within my images to find something much more than what they originally saw upon the initial view of the pieces. The images I have created have many layers in them, and though at first glance the main composition does register with them, it is upon further reflection that the viewer can see "hidden images" that were originally unnoticeable.
MidnightDream by Russ McIntosh


                                                              
The approach I take with my artwork is very distinct, in that I incorporate numerous photographs into a very unique composition. Utilizing anywhere from six to two dozen images or more, I build a piece up. At times when layering the images, other images can be noticed, and I will adjust the highlights and shadows adding some digital paint to make the piece more cohesive. With a vivid imagination I try to present the essence of staring at clouds within my own artwork. If you look at the shadow shapes and highlights within the image, other objects will start to take focus.






Saturday, August 27, 2011

"Tropical Whirl" by Jennifer Brewer Stone

Tropical Whirl - final painting - 20 of 21

I search for meaning and balance in the contrast between the simple and the complex. My paintings are my children and my teachers, evidence of the constant work in progress that is the experience of creation. My interaction between the canvas and the inner and outer world is in constant flux. I have moments of great privacy where I paint and paint and have only my music and thoughts as company. Then I'll have a large reception and show my work and my studio, and I'll be wide open to other thoughts inspiring my thoughts, to outside interactions and the pleasure of communicating through art.

This dualism and desire for balance has a strong presence in my art. A canvas print of my piece Tropical Whirl is currently showing at the gallery, and in this piece there are multiple shapes and colors, but they are all balanced. The items are unified not by a focus on one, but rather by the play between elements and how the eye is guided from one shape to another following the curve of the objects. I think my love of bright color and intricate gradients is evidenced here. I'm also fascinated by the complexity of nature; any plant that I look at and think, 'that exists?' immediately perks my interest. I want to capture the awesome wonder of the beauty that is all around us, and put it in front of you. I want you to be drawn in by the experience of wonder with me.

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I hope you have a chance to take a look at my piece in person. It makes all the difference, especially in seeing the bright colors and gradients as they truly are. We look forward to seeing you at the gallery soon!

-Jennifer Brewer Stone
www.jennifersartgallery.com

Tuesday, August 16, 2011

Insights from one of our artists, Ai-Wen Wu Kratz

"Color Logic /RYB" by Ai-Wen Wu Kratz, Acrylic on canvas, 7ft W by 5 ft.H

"Irina" by Ai-Wen,
 Concentrated crayon
and colored pencil on paper.
26in. W x 40 in. H
Being born with the proclivity for colors and forms that constitute the visual world, I find great happiness to be in a league of individuals that are committed to bring our invisible selves by way of our art to all others that are on different paths of life. Our contribution, jointly as artists, is to enrich others with our sensitivities, visual or spiritual, that are unique to us, by birth and/or by training.

'The Scream' of Edvard Munch; The letters of Van Gogh to his brother; The night walks along the hillside paths from the Skowhegan School Library back to the cottages; Wassily Kandinsky's first encounter with Monet's painting, "Haystack," that liberated in him the independent power of colors, line, shapes, planes and forms from subject matters; The paper, crayons, clipboard and I, myself, sketching by the roadside; The closing of an art critique session in late night, then to fetch a place for food, along the questionable turns amidst the NY City streets; The intense bond between the violin and Julia Fischer and her mastery over the instrument bringing forth miraculous music that reaches our souls; All have sustained a fire in me to act and to paint above womanhood and motherhood. The latter, interestingly enough, have enriched me and secured the basis of my confidence
in professionalism. 

It was said that a man, with his briefcase, religiously every day left his house through one door and entered the same house through another to his basement office to begin and end his daily office work.  With the same seriousness, I hope to share with you from time to time what I do in my studio.  It happens to be also in the basement of a house.  Invitingly, it is a space that is generously large, and is enhanced by the view of a lake. 

Sunday, August 14, 2011

"Chair in Blue Room" by LK Jeffers

"Chair in Blue Room" by LK Jeffers


The painting above, Chair in a Blue Room, by LK Jeffers ( http://www.lkjeffers.com/ )  is an original oil on canvas.   This charming painting has won awards in juried exhibition, including winning an award in a local exhibition juried by the late Ross Merrill.  Ross Merrill was not only an amazing artist, but he was also the National Gallery of Art's Chief of Conservation.  The wonderful play of light and shadows along with the vibrancy and variations of blues, help to make this a special painting.  While the original painting is no longer available, Ms. Jeffers had high quality limited edition canvas giclee prints made for this painting.   The giclee print captures the wonderful luminesce of the original painting.   There are two different limited editions for this painting   One giclee edition is in the original 16x20 size and the second edition is 8x10.  Both can be purchased via the gallery.   Currently, one of the 8x10 size giclee prints of this exceptional painting is on display at the gallery.

Friday, August 12, 2011

“Rush Hour Evening” by Jane McElvany Coonce

“Rush Hour Evening” by Jane McElvany Coonce


This exquisite painting, by Jane McElvany Coonce http://www.jmcelvany.com/, is called “Rush Hour Evening”.  She painted it after a plein air session on the roof top of the Lennox Club, an apartment building in Crystal City.  This plein air “Paint Out” session was sponsored by the Arlington Artists Alliance.  Jane loved the view of the headlights on the cars as people headed home from work and was able to capture the twilight ambience in her painting. 

Wednesday, August 10, 2011

"Morning at Key Bridge and Georgetown" by Jane McElvany Coonce


Morning at Key Bridge and Georgetown

Jane McElvany Coonce (http://www.jmcelvany.com/), one of the artists whose work is on display at the Arlington Arts Gallery, is known for her Key Bridge/Georgetown paintings.   Normally, she paints afternoon Key Bridge scenes.  Her morning painting above is the exception.  Morning at Key Bridge and Georgetown, which measures 18 x 24,  is an original oil painting.   Whereas in the afternoon the bridge and arches are hidden from the sun and are dark, this side of the bridge captures the morning light, lighting up the arches in an almost enchanted way.  Jane loves the challenge of painting the ever changing Key Bridge and surrounding area.   Each time she paints this area, the reflections on the water and the colors in the sky are different.   It is her favorite scene in Washington to paint and every one of her paintings is unique and captures a particular moment in time.

Monday, August 8, 2011

Welcome to Gallery Insights


This blog will highlight works of art that are currently on display at the Arlington Arts Gallery, 5179 Lee Highway, Arlington VA.

The Arlington Arts Gallery represents over 60 artists in the Washington DC Metropolitan Area.  It was founded as a cooperation between Duc Nguyen of Lat Viet Gallery and the Arlington Artists Alliance.  Together, a new gallery was formed to bring local artists into the limelight.  The artists consist of emerging artists as well as artists who have been collected over the years.  Paintings styles run the gamut from traditional paintings to the abstract.  There are oil paintings, acrylics, water color, collage, pastel, mixed media, ceramics and sculpture.  Just as Arlington's population is diverse, so are the artists that are represented in this gallery.